Which McLaughlin and Cole certainly were, as well as being working mothers and wives juggling the expectations foisted upon them in the era’s professional and personal arenas. But McLaughlin and Cole’s combined efforts to catch this murderer, who the former dubs “the Boston Strangler,” will eventually result in the arrest of Albert DeSalvo and the outing of one of the most notorious serial killers of the 1960s. The idea of two female reporters chasing down leads about a homicidal maniac seems like a nice publicity stunt to them maybe it’ll sell a few more papers. The brass at the newspaper think she’s a little green for this kind of investigation - not to mention she’s a lady! - so they assign her Jean Cole ( Carrie Coon), a slightly more seasoned journalist who’s been working undercover to bust a nursing-home scam, as her partner. So McLaughlin ( Keira Knightley) digs some more, makes some visits to police precincts and cop bars, asks a lot of questions. She’s been itching to get away from the lifestyle desk and get her hands on a good, meaty story this seems a lot more intriguing than reviewing a new toaster model. The details of the crimes are oddly similar. Something about this seems familiar to McLaughlin, who digs through some old clippings and finds a story about a widow who’d also been strangled in a different neighborhood. It detailed the murder of a woman who had been found strangled in her apartment. In 1962, Loretta McLaughlin, a reporter at the Boston Record-American, noticed a small item buried on page five of a local paper.
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